The design process began with a careful study of site conditions. Dense woodland encloses the western edge, while open meadows stretch toward the east. In response, the building adopts a long, narrow footprint aligned east to west — allowing for optimal daylighting and soft transitions between interior zones. Spaces are organized sequentially: the north-facing studio receives cool, even light ideal for painting, while the south-facing living space opens to a wooden terrace that catches afternoon sun and extends the interior into the surrounding field. Daily life follows the movement of light — from the quiet east-facing bedroom at sunrise to the golden shadows cast across the workspace at dusk. The elevated pathways that connect these domes are conceived as endemic ecological bridges. Rather than functioning as mere circulation, they serve as linear habitats suspended above the ground plane, carrying soil beds and plant communities native to the Antalya region. Their slow, unfolding trajectories create a second landscape in the air: a gradient of scents, textures, and micro-ecosystems that allows visitors to traverse the Expo as though moving through an elevated botanical archive. The bridges also stage a series of shifting vantage points from which the domes, the ground gardens, and the broader Antalya horizon can be read as a continuous ecological field. In this sense, the project does not present nature; it curates a multi-scalar ecological experience that expands and densifies the presence of Mediterranean flora across the site.